This lovely, and easy-to-play, air was transcribed by Edward Bunting from the playing of the Armagh harper, Patrick Quin. We will work on constructing a playable version for our harps, adding a lower hand, and thinking about the most functional solutions for fingering and damping. Finally, we will focus on the phrasing, the breaths, and the musical sense, aiming to deliver a sense of the aesthetics of the last old Irish harpers.